Concert Gallery – Adam Ezra Group Ramble 4

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This gallery contains 28 photos.

The Adam Ezra Group‘s Ramble is an annual music festival during which fans of the band gather for some great music and a good cause.  Find out more about it from the interview with Adam Ezra posted in this site … Continue reading

Dean Fields Talks about “Any Minute Now,” Arriving Tuesday

Cover artwork by Brian Thibodeau

Cover artwork by Brian Thibodeau

Any Minute Now is a new EP from Nashville-based singer-songwriter Dean Fields due to arrive… wait for it…. As much as I’d love to type “any minute now” at this point, there is a release date and it’s just days away, Tuesday August 13. The EP follows his 2011 EP Under A Searchlight Moon, a clever and wildly romantic selection of tunes that Fields wrote himself. On this collection all but one of the tracks were co-written with other artists, yet they are tracks that he felt strongly invested, and that he felt spoke for him as an artist. It was a big change for an songwriter who had always worked alone. It may seem odd to follow up an EP with another EP, and in fact, he had planned a full length album.  But a confluence of life circumstances and aesthetic considerations led to the decision to release this collection of songs now, saving the others for a later release. The songs seemed to belong together, and they were ready for release.

I learned about all of this and more in an August 1, 2013 interview with Fields in the Stratton Student Center at MIT, in the midst of a series of concerts in Cambridge, Boston and environs. Now based in Nashville, he grew up in Mechanicsville, VA, just outside of my hometown of Richmond, VA. I’ve been listening to his music for a while, but had not seen him perform. We talked the morning of his show at that institution of the Cambridge music scene, Club Passim. Of course the main topic of conversation was the new record Any Minute Now. Continue reading

Concert Scrapbook: Paul Weller with Matthew Ryan Opening

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This gallery contains 14 photos.

I’ve been a fan of Paul Weller since a friend introduced me to The Jam back in high school. His musical styles have evolved and changed with the times, but the fundamentals have remained. Clever, socially aware lyrics set to … Continue reading

Concert Scrapbook: July 27, 28 at the Newport Folk Festival

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This gallery contains 68 photos.

This is just a collection of randomly selected and arranged photos from Saturday and Sunday, July 27 and J8 at the Newport Folk Festival at Fort Adams State Park in Newport, RI.  The Newport Jazz Festival was this weekend.  I … Continue reading

Concert Scrapbook: Scorpios, Americanarama & the 6 Act Sunday Show

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This gallery contains 25 photos.

Thursday July 18 through Sunday July 21 I saw a lot of great artists perform live! These are my photos. They’re not great, as I was experimenting with a brand new camera. Still I wanted to share. I don’t have … Continue reading

Cory Branan, The Middle East, and Feeling Better Than It Should

Cory Branan @ The Middle East

Cory Branan @ The Middle East

Cory Branan makes Mutt Music! That may sound like a lame insult I’ve just invented, but it’s actually the term he’s been using to describe his music for some time, and it’s what he alluded to in titling his most recent album Mutt. He proudly owns the hybrid, eclectic styles of music it contains, and well he should.  He shifts and combines styles seamlessly.  It’s brilliant. His musical style was one of the topics of conversation when I interviewed him before his set at the Middle East Downstairs on July 21st.
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Getting Gracefully from Formal: Eric Himan Tells the Story of his New Album

Eric Himan

Eric Himan

In 2012 Eric Himan decided he wanted to record an album with a different sound than anything he’d done before. Though the 34-year-old, Tulsa-based, singer-songwriter had already released 10 albums on his own label, he knew that this project would cost a lot of money, so he took to Pledgemusic to raise money for an album to be called Formal. T-shirts were printed with bow ties on them and everything. He recorded six songs,

but wasn’t happy with the results. So what did this guy who’s previously only been accountable to himself on his own label do? He pulled back, retrenched, and started over. The result was no longer called Formal, but Gracefully, named in honor of his grandmother who had raised him, and had died while he was working on the project.

Gracefully is a 12-track collection of original songs, the 8th such album he’s released since his self-titled debut in 2000, and it is different, both sonically and in the way it came into existence, but Eric doesn’t see it as radically so. He rightfully points out that there’s a natural progression between it and the albums leading up to it. He’s been increasingly experimenting with the styles of music on this album, as well as playing with other musicians and, of course, with the piano. On July 7 I had the chance to talk with him in some detail about the album, the frustrations and joys of making it, and the people he worked with. Along the way we also talked about the challenges of supporting oneself as a musician in the industry today, songwriting, and a few other topics.

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