Today’s Parlor Sessions Profile is of Jason Myles Goss, a songwriter with uncanny ability to step outside of himself and write songs from another point of view that ring utterly true. He’s a storyteller whose songs can transport us into the boxing ring, to the boardwalk on Coney Island, to a fishing boat in Maine, to name a few places.

In describing the influences on his most recent album Radio Dial, his website states:

…in his latest collection of songs, Jason displays a broad range of influences, from the stark and eclipsing lyricism of Gillian Welch and A. A. Bondy, to the lush, melody-driven, pop/rock ambitions of Ryan Adams’ “Gold” and The Wallflowers’ “Bringing Down the Horse.”

I do hear that, but I’d add there is something Springsteenesque in his ability to evoke the working class so empathetically in his lyrics.

He’s now based in Brooklyn, but he grew up in Hopedale, MA, and in 2003 at the age of 21, when he was selected as a finalist in the first Newport Folk Festival Songwriters’ Contest, he was the youngest finalist by 10 years. It’s one of a number of awards and accolades he’s received.

Yesterday I posted the responses of Andy Zipf to a series of questions about the Parlor Sessions Tour. I asked Jason Myles Goss, another of your four musical “hosts” in the Parlor the same questions. His answers make me think maybe he’ll be the comic relief in the minivan.  They’re followed by a video of “Black Lights,” one of those evocative narratives songs I mentioned in the beginning of this piece, from his most recent album Radio Dial. Continue reading →