This gallery contains 25 photos.
Thursday July 18 through Sunday July 21 I saw a lot of great artists perform live! These are my photos. They’re not great, as I was experimenting with a brand new camera. Still I wanted to share. I don’t have … Continue reading
Cory Branan @ The Middle East
Cory Branan makes Mutt Music! That may sound like a lame insult I’ve just invented, but it’s actually the term he’s been using to describe his music for some time, and it’s what he alluded to in titling his most recent album Mutt. He proudly owns the hybrid, eclectic styles of music it contains, and well he should. He shifts and combines styles seamlessly. It’s brilliant. His musical style was one of the topics of conversation when I interviewed him before his set at the Middle East Downstairs on July 21st.
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St. Paul de Vence are, from left to right: Mike Sievers, Kale Lotton, Jonny Gundersen, Lydia Ramsey, Benjamin Doerr & Alex Malloy.
If you’re a musician and someone asks you to write their story, there’s probably a good chance that it’s going to come out in song. That’s precisely what happened when Seattle-based musician Benjamin Doerr set out to write the stories he collected from his grandfather who had come of age in France under the German occupation of World War II, then joined the Free French to fight for the liberation of his country. Though the stories may still find themselves into print in some form someday, Doerr found they initially came out as songs. Eventually those songs evolved into a band and a self-titled 11-song album, St. Paul de Vence, named after a town in Southwest France where Ben’s grandfather was stationed for a time.
Now if you’re yawning and thinking who cares about something that happened decades ago and ocean away, well… I’ll skip the cliche about those who don’t study history, even though it’s true, because the album isn’t a history lesson at all. It’s a collection of 11 catchy tunes with compelling lyrics that will appeal even if you can barely place France on a map, or didn’t know it was ever at war with Germany. It’s just even more fascinating with context. On July 16, I talked to Ben about the project from his home in Seattle about the project, the band, the album, what he’s working on now, and what’s next for St. Paul de Vence.
Eric Himan
In 2012 Eric Himan decided he wanted to record an album with a different sound than anything he’d done before. Though the 34-year-old, Tulsa-based, singer-songwriter had already released 10 albums on his own label, he knew that this project would cost a lot of money, so he took to Pledgemusic to raise money for an album to be called Formal. T-shirts were printed with bow ties on them and everything. He recorded six songs,
but wasn’t happy with the results. So what did this guy who’s previously only been accountable to himself on his own label do? He pulled back, retrenched, and started over. The result was no longer called Formal, but Gracefully, named in honor of his grandmother who had raised him, and had died while he was working on the project.
Gracefully is a 12-track collection of original songs, the 8th such album he’s released since his self-titled debut in 2000, and it is different, both sonically and in the way it came into existence, but Eric doesn’t see it as radically so. He rightfully points out that there’s a natural progression between it and the albums leading up to it. He’s been increasingly experimenting with the styles of music on this album, as well as playing with other musicians and, of course, with the piano. On July 7 I had the chance to talk with him in some detail about the album, the frustrations and joys of making it, and the people he worked with. Along the way we also talked about the challenges of supporting oneself as a musician in the industry today, songwriting, and a few other topics.
Ade Denae, Cory Chisel, Matt Pynn and Will Dailey close the show Monday night.
The audience that turned out for the show on Monday at The Sinclair in Cambridge was small. Both the headliner, Cory Chisel from Appleton, Wisconsin and Boston’s own Will Dailey are capable of drawing much larger audiences, so I’m not sure what happened. Maybe the storm warnings around the area made people nervous about traveling in; maybe it was because it was because it was a Monday show during the Fourth of July week, and people were out of town; maybe it was because the show was not well enough publicized… Who knows? Whatever the reason, the turnout was small. That can really affect the energy of a show, but it didn’t seem to be the case on Monday night. Both acts played great, exciting sets. In fact one might argue the show benefitted from having fewer people in the crowd, creating a more intimate atmosphere and some exciting audience interaction.
As far as I was concerned, Chisel had some high expectations to meet. I’ve been wanting to see him play live since I bought a Windows desktop in 2009 and the music video for his song “Born Again” came with Windows Media Player. Continue reading
Almost exactly a month ago I posted a list of Train Songs, but I did so too early. I had asked the help of friends in Lost HighwayRecords Fancorps. They reminded me of lots of songs I had forgotten and even more that I didn’t yet know. They also introduced me to Jimmie Rodgers, The Singin’ Brakeman. A few suggests came in from other places, too.
Thank you, thank you, thank you to everyone who contributed. This was fun. I may just take SlowMovinOutlaw up on his suggestion and do another list on another theme. He suggested trucking songs. Maybe, though I don’t know how much that crosses genres. I found train songs that were Country, Rock, Jazz, Blues, Folk, Soul… They’re all here.
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Paolo Nutini