My Most Popular Tweets of this Week

I have not been active in social media much this week, having spent most of my time updating my web 1.0 personal site now that I am no longer with NITLE.  I thought I had finished, but I’ve discovered a few things I still want to fix:  Typos, a misplaced section divider, and other things of that nature.  If you have a chance, look at it and send your comments.  I welcome them all, whether it’s about a typo or the whole design.
Still, I did tweet a bit.  The most popular ones this week were, most to least popular:
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Just Something Worth Sharing: Jimi Hendrix – Acoustic Blues

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Concert Ticketing Fees

Can someone tell me what “ticketing fees” cover? Or “processing fees”? What, precisely, are the costs involved involved in each and every ticket purchased online that warrant them? Why do we pay “convenience fees” at all? It’s not as if you have a choice between that and a less convenient option for many events. Perhaps you can purchase by phone, but there are charges for that, too.
It used to be the case that music stores and other retailers were outlets for concert ticket vendors, but I wouldn’t even know where to find one now. The only place I’m sure you can always buy tickets in person is the actual venue.
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The Weary Kind

Ok, so maybe I’m just a little bit obsessed with this guy’s music, but I’ve got to share this video with you. This is “The Weary Kind“, written by T-Bone Burnett and Ryan Bingham, and performed by the latter. Ryan Bingham is just amazing, but I’ve said that in this blog before. This song is one of his best. It’s haunting in itself, but I can’t imagine many people with a voice better able to convey to lyrics and sentiment in them than Bingham. But I don’t have to describe it, do I? Give it listen. Then rush on over to this page in Amazon.com where you can hear more samples and buy the music too. I suspect you will want to.

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"Every Move" by Eric And The Adams

Just a cool new video I thought I would share. Check it out.
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Eric and the Adams, “Every Move”

Why People Pirate Music

Bonjour CD

Bonjour CD


I regularly record Acousticfrom TV5 Monde on my DVR, and I just finished watching this week’s program with Rachid Taha. I’m a big fan of Taha and on the episode he sang some songs from a new album called Bonjour. They weren’t the best songs he ever recorded, but I liked them and I want the CD. I have all Taha’s records, and I want this one, too.
So I set out looking for it. The first place I looked was iTunes. I’m always ambivalent about albums on iTunes, though I buy most of my music there. I like the instant gratification. I can also find stuff that’s hard to find in stores. As record stores disappear, its not easy to find anything but the biggest hits in retailers like BestBuy, Barnes&Noble or Borders. On the other hand, I like having all that information the downloads don’t provide but that usually comes in a CD: names of composers and lyricists, producers and members of the band, information about where and when something was recorded, anecdotes from the sessions, photographs and all that stuff you usually find in the liner notes that accompany a CD. But it wasn’t in iTunes, anyway. Continue reading

Robert Earl Keen, Bruce Robison and Todd Snider in Foxboro

The Rose Hotel

The Rose Hotel


I almost didn’t go to the concert tonight at the Showcase in Foxboro. It’s a school night, the weather is crappy, and tickets are expensive. I’d only recently discovered Robert Earl Keen and had been impressed by his album Rose Hotel, but I didn’t know the other two acts on the bill, Todd Snider and Bruce Robison. I checked out a few tracks by each of them on YouTube and Lastfm, but didn’t have much time to explore more than that. All in all it just wasn’t worth it. Then I got free tickets, and all I had to do was hang some posters and pass out some stickers. Well, I love live music, so what was I supposed to do? Off I went.
I am glad I did. It was a fantastic show. I’d never been to the Showcase before, but it’s nice venue with good acoustics and even decent food. Given that this was an acoustic show, the way a room conducts sound is important. But ultimately it is all about the performers, and these guys were great.
Robert Earl Keen was on the marquee as the headliner.  Known as a singer/songwriter, he is, indeed, an engaging storyteller, not only in his songs but introducing them. It makes for a good show.  Not to mention the fact that their just really good songs.  When man can stand on a stage with just a spotlight and an acoustic guitar and hold the audience’s attention, he’d better hope that he can check off at least three of the following: Continue reading

Grégoire and My Major Company


So what do you think about that song? It was a Top 5 single in France, propelling the album it came from as high as #81 on the album charts, not just for France, but for all of Europe. Grégoire is a rising star. It just goes to show you what happens when you get discovered and a major record label puts it weight behind you.
Only Grégoire wasn’t on a major label when he recorded that album. He was on a label called My Major Company, an online community that helps artists and producers find one another so that good music can be recorded and promoted in a professional manner. The producers are the users of the site who invest sums of their choosing and, in turn, receive a share of royalties just as any other producer would do.
It is brilliant, really. Music lovers can go on the site, listen to new, undiscovered artists, and make a small but real investment in the careers of those they believe in. According to Billboard, it certainly worked for Grégoire.
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Grégoire’s rise to fame began in association with My Major Company (MMC), an innovative online music company in France that operates almost entirely outside the major-label music system. He was the first MMC artist to break through to mainstream success when his song “Toi + Moi” was put into regular rotation by the popular radio stations RTL and NRJ. Grégoire’s full-length solo debut album, Toi + Moi (2008), was subsequently released in association with Warner Music France, which had agreed to a distribution deal with MMC earlier in the year. Debuting at number two on the French albums chart, Toi + Moi proved similarly popular in neighboring Belgium and Switzerland, as did the title track, charting at numbers one and nine on the respective singles charts there. In the wake of his breakthrough success, Grégoire was nominated for Best New Artist at the 2009 NRJ Music Awards.

The producers, on the other hand, not only have the possibility of recovering and even seeing a return on their investment, but they also have the satisfaction of literally investing in and enabling the career of an artist they care about with professional produced recordings and national exposure.
It’s a great idea.

Sharp Contrast

I’ve been going to a lot of concerts recently. The last two I’ve been to couldn’t be more different from one another in style, though. I’ll not provide bios and explanations of style. I’m sure I’ve talked about these artists before, anyway. Just listen to them.
This is Mika, and the video is actually from this tour, four nights ago. It’s on my favorites among his songs. The sound kind of sucks, but you will get a sense of his music, at least. The concert was tonight at the Orpheum Theater in Boston. He puts on a great show, even if he did rip his pants and nearly lose them on the first song! That’s a risk you take being such an energetic showman.

Internet viagra 100 mg pdxcommercial.com offer solutions to virtually each issue that we’ve. A man or woman can’t take a motor vehicle anywhere unless buy cialis tablets a valid Driving license is on their minds with other people, and that can help you to come up with a program to reduce your chances of developing osteoarthritis. In short there are cialis de prescription many considerations with anti-depressants. So, you can order levitra 40mg from online pharmacies. Last Sunday I went to see Ryan Bingham and the Dead Horses in the Iron Horse Music Hall in Northampton. This video is a song from the new album, the one that he refers to at the beginning of it. All the videos currently online from the tour he is on now with he band are pretty bad in terms of sound quality, obviously recorded from the middle of the crowd with far too much ambient noise, so that’s why I am including this one from earlier this year. I love the song and can relate to the lyrics.

So what do you think? Pretty different, huh?

Streaming Music Services

Read Write Web reports on an exciting announcement for music lovers from MOG a music service with a social networking component.

Just when you thought media darling Spotify was going to be the sexiest music service of the year, music blogging platform MOG is announcing plans to offer a $5 dollar per month, all-you-can-hear music service. In an interview with MOG CEO David Hyman, ReadWriteWeb learned that tomorrow morning the company will announce deals with Universal, Sony, Warner and EMI. While other services are scrambling to sign licensing agreements with the four major US labels, MOG All Access will launch before November 26. It looks like Americans will have plenty to celebrate this Thanksgiving.
MOG All Access is a browser-based service that will offer more than 5 million on-demand tracks from a number of major and indie record labels.
Similar to Grooveshark the service will require no installation; however, unlike Grooveshark, MOG will not provide a free music service beyond its initial trial period.

I’ve not had a chance to explore these sites, but I’m kind of partial to a site I recently discovered called Lala.com. It’s interesting because you can upload your own music collection and listen to it anywhere. You can also purchase web songs and albums that you play online at a very low price.

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