Concert Scrapbook: Scorpios, Americanarama & the 6 Act Sunday Show

Gallery

This gallery contains 25 photos.

Thursday July 18 through Sunday July 21 I saw a lot of great artists perform live! These are my photos. They’re not great, as I was experimenting with a brand new camera. Still I wanted to share. I don’t have … Continue reading

Cory Branan, The Middle East, and Feeling Better Than It Should

Cory Branan @ The Middle East

Cory Branan @ The Middle East

Cory Branan makes Mutt Music! That may sound like a lame insult I’ve just invented, but it’s actually the term he’s been using to describe his music for some time, and it’s what he alluded to in titling his most recent album Mutt. He proudly owns the hybrid, eclectic styles of music it contains, and well he should.  He shifts and combines styles seamlessly.  It’s brilliant. His musical style was one of the topics of conversation when I interviewed him before his set at the Middle East Downstairs on July 21st.
Continue reading

Tim Barry on Why He Doesn’t Want to Be a Rock Star, His Secret City, His First Song and More

At the Middle East, July 21st

Among the crowd at the Middle East, July 21st

When I asked Tim Barry how he would classify the style of music he plays, he told me, “I just say it’s Rock & Roll with an acoustic guitar.” I’ll buy that.  I know that his solo set during the show at the Middle East Downstairs on Sunday, July 21st   reminded me of what rock and roll is really about as much or more than did any of the sets by artists with full bands and electric instruments.  He had the nervous energy and desire to please that an aspiring artist might bring to an important audition, yet he was confident and a consummate performer.  He established a rapport with the audience that made it seem like he leading a sing along with a bunch of friends at a pub. This was especially true when he took the microphone stand from the stage and put in on the floor in front so he could sing in the midst of the crowd. This was a guy who was working his ass off to put on a great show, but having a great time at it. He told stories and philosophized, but mostly he played his heart out, and the crowd ate it up.

As he recounted in the post Musicians Egos and…, he had been largely responsible for bringing the show together, and several acts expressed their appreciation to “nice guy” Tim, either from the stage of when I talked to them later.  It was a Sunday night show that certainly didn’t feel like it was happening on a Sunday night! I’ll have more to say about the other acts in later posts, but for now let me tell you about Tim Barry, and incredibly exciting artist I had the good fortune to interview on June 17 by phone from his home in Richmond, four days before the show in Cambridge.

Continue reading

Saint Paul de what? Even If You Can’t Pronounce the Name of this Seattle Band, You Want Them On Your Playlist

St. Paul de Vence are, from left to right: Mike Sievers, Kale Lotton, Jonny Gundersen, Lydia Ramsey, Benjamin Doerr & Alex Malloy.

St. Paul de Vence are, from left to right: Mike Sievers, Kale Lotton, Jonny Gundersen, Lydia Ramsey, Benjamin Doerr & Alex Malloy.

If you’re a musician and someone asks you to write their story, there’s probably a good chance that it’s going to come out in song. That’s precisely what happened when Seattle-based musician Benjamin Doerr set out to write the stories he collected from his grandfather who had come of age in France under the German occupation of World War II, then joined the Free French to fight for the liberation of his country. Though the stories may still find themselves into print in some form someday, Doerr found they initially came out as songs. Eventually those songs evolved into a band and a self-titled 11-song album, St. Paul de Vence, named after a town in Southwest France where Ben’s grandfather was stationed for a time.

Now if you’re yawning and thinking who cares about something that happened decades ago and ocean away, well…  I’ll skip the cliche about those who don’t study history, even though it’s true, because the album isn’t a history lesson at all.  It’s a collection of 11 catchy tunes with compelling lyrics that will appeal even if you can barely place France on a map, or didn’t know it was ever at war with Germany.  It’s just even more fascinating with context.  On July 16, I talked to Ben about the project from his home in Seattle about the project, the band, the album, what he’s working on now, and what’s next for St. Paul de Vence.

Continue reading

Musicians’ Egos and the Six Acts Playing Sunday in Cambridge, Friday in Detroit

June21We all know how musicians are and how tough the music business can be.  Musicians have huge egos and the business is intensely competitive.  Because of these big egos, artists don’t work together well, and when the record companies make them do so, it’s the stuff of big drama. It’s what made last season’s tv drama Nashville a hit, and it’s the reason why we can only have one American Idol or winner of The Voice each season. Yet I hardly ever hear those kinds of stories when I talk to musicians. The kinds of stories I hear much more often are ones like the one Time Barry told me about how the six act show on Sunday, July 21st, Downstairs at the Middle East came about.
Continue reading

Cory Chisel and Will Dailey Play Intimate Show at the Sinclair

Ade Denae, Cory Chisel, Matt Pynn and Will Dailey close the show.

Ade Denae, Cory Chisel, Matt Pynn and Will Dailey close the show Monday night.

The audience that turned out for the show on Monday at The Sinclair in Cambridge was  small.  Both the headliner, Cory Chisel from Appleton, Wisconsin and Boston’s own Will Dailey are capable of drawing much larger audiences, so I’m not sure what happened.  Maybe the storm warnings around the area made people nervous about traveling in; maybe it was because it was because it was a Monday show during the Fourth of July week, and people were out of town; maybe it was because the show was not well enough publicized…  Who knows?  Whatever the reason, the turnout was small. That can really affect the energy of a show, but it didn’t seem to be the case on Monday night.  Both acts played great, exciting sets. In fact one might argue the show benefitted from having fewer people in the crowd, creating a more intimate atmosphere and some exciting audience interaction.

As far as I was concerned, Chisel had some high expectations to meet.  I’ve been wanting to see him play live since I bought a Windows desktop in 2009 and the music video for his song “Born Again” came with Windows Media Player. Continue reading

New Albums by Todd Snider and Hayes Carll

KMAG YOYO releases February 15th


If you’re one of those people who enjoys songs that tell stories, the first couple weeks of February, roughly, are a good time for you. There are two new releases by artists that are among our greatest musical storytellers coming out during the first half of the month.
On February 5 Todd Snider released a CD and DVD called “Live: The Storyteller,” and on Tuesday Hayes Carll releases his first album since 2008’s Trouble in Mind. Both artists are part of the tradition of America great singer-songwriters. But they also hail from an older tradition, going back centuries and transcending cultures, that of the troubadour who set their tales to music and, as Snider puts it, travel the land “playing them to whoever will listen.”
If you are not familiar with Todd Snider, his live albums are an excellent introduction. His studio albums give a good sense of his witty lyrics and catchy tunes, but his live shows are what really intrigues. To quote the Blurt review by John B. Moore, Snider is “an Americana poet, storyteller and barstool comedian.”
An Oregon native and East Nashville resident, he’s definitely a bit of a hippy folk singer. After all, most of the time he comes out on stage with an acoustic guitar, barefoot, in loose fitting old jeans and shirt or sweater, to sing about traveling across America and the people you meet along the way, with a fair amount of pacifist politics thrown in for good measure.
Continue reading

"Depression" by Ryan Bingham

The album, Junky Star, releases in three day on August 31st.  The first single, “Depression“, is available now.  I know this sounds like advertising, and it would be if I were getting paid. Hesperidine and natural extracts from Vein Protex tadalafil 10mg uk composition show a beneficial effect on blood circulation, preventing the formation of acidic crystals, improving digestion, curing weight loss and detoxification of liver are other advantages of using apple cider vinegar. Well, the quantity varies cialis 5 mg from person to person. 2. You should see overnight cialis tadalafil purchased here the reviews of the customers related on the website about the product. People who suffer from issues relating to premature ejaculation also experience mild problems with erectile dysfunction, and vice versa. cialis super active  I’m just excited!  I’ve heard most of the tracks on the record, and it’s going to meet expectation.  Here’s one.
Here’s a little clip in which Ryan talks about the disc.
Continue reading

Praise and Blame. Well, Pretty Much All Praise.

The video below is a recording of “Did Trouble Me,” a Gospel song by Susan Werner, as sung by Tom Jones on his new album Praise and Blame. To most people Tom Jones is probably best know for songs like “What’s New Pussycat?,” “Green, Green Grass of Home,” “It’s Not Unusual,” and his cover of Prince’s “Kiss.” Praise and Blame is his second release on Lost Highway Records, better known for releasing music that might be labeled “Roots Music” or “Americana.” It turns out the fit between Jones and the label is not at all a forced one.

Continue reading

Get Ready for the Next Big Rock Star. No Really, Get Ready!

Ryan Bingham and Elijah Ford


If, a few years from now, you want to be able to say I saw one of the most influential rock and roll bands of our time while they were still playing in small clubs, you may still have a small window of opportunity.  I went to the show by Ryan Bingham and the Dead Horses at TT the Bears, a fairly small rock club in Cambridge, Massachusetts on Tuesday, and walked away thoroughly convinced that they won’t be playing places that small for much longer.  They are definitely among the best bands I have ever seen play live, and word spreads fast about something like that.  Bingham already has an Oscar for best song and the tracks they played from the upcoming album to be released in September lead me to believe it may well be showered with accolades, as well.
If you didn’t already know the band, you might not have expected much had you been there when they walked out on the small stage. They came out into this small dark club, having to duck so they didn’t hit their heads on their way to the stage. They were dressed unremarkably, with only Elijah Ford, the bassist and keyboardist looking like he’d made any effort at all.  The rest were dressed for work in jeans and work shirts.  Ryan wore Carthart work pants.  It turns out that this was appropriate attire, because go to work they did!  They played hard, loud and superbly, really into the music and committed to giving the audience the best show they could.
(Here’s a video of their performance on The Late Show with David Letterman, to give you a little bit of a sense of how they sound.  More on the show and the band, after the clip.)  Continue reading