My Top Ten Tweets of the Last Seven Days

My Twitter Feed


Here are my top 10 Tweets that contain links shortened using ow.ly during the past 7 days. How many typos can you spot? I really need to proof better before hitting send.
I didn’t post often this week, and yet the hit count was high. Perhaps because the disaster in Haiti increased twitter use overall. Indeed, the tweet with the highest number of hits was to a video of Pat Robertson idiotically attributing the earthquake in Haiti to a Haitian deal with the devil to break free from colonialism.  I’ve said elsewhere that this shows heartless he is, but the more I think about it the more it really shows how stupid he is.
The fact that the increased total number of hits on my tweets is due to interest in Haiti is also supported by the fact that the second, third in fourth most popular tweets are separated from this one by a meaningful margin, and are very closely bunched with one another.  They are links to a story about the death of Teddy Pendergrass, a call for sessions in the NITLE Tools for Teaching in the Global Age series, and a story about VoIP in the UAE.  On the other hand, other tweets about Haiti are in the next eight.
Anyway, here’s the top 10: Continue reading

The Weary Kind

Ok, so maybe I’m just a little bit obsessed with this guy’s music, but I’ve got to share this video with you. This is “The Weary Kind“, written by T-Bone Burnett and Ryan Bingham, and performed by the latter. Ryan Bingham is just amazing, but I’ve said that in this blog before. This song is one of his best. It’s haunting in itself, but I can’t imagine many people with a voice better able to convey to lyrics and sentiment in them than Bingham. But I don’t have to describe it, do I? Give it listen. Then rush on over to this page in Amazon.com where you can hear more samples and buy the music too. I suspect you will want to.

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Continue reading

Hayes Carll Album On Sale at Amazon


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I Don't Know the Words to that Song Either

From my “speaks for itself” series
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Todd Snider: Ballad of The Kingsman from Justin Weihs on Vimeo.

"Every Move" by Eric And The Adams

Just a cool new video I thought I would share. Check it out.
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Eric and the Adams, “Every Move”

Why People Pirate Music

Bonjour CD

Bonjour CD


I regularly record Acousticfrom TV5 Monde on my DVR, and I just finished watching this week’s program with Rachid Taha. I’m a big fan of Taha and on the episode he sang some songs from a new album called Bonjour. They weren’t the best songs he ever recorded, but I liked them and I want the CD. I have all Taha’s records, and I want this one, too.
So I set out looking for it. The first place I looked was iTunes. I’m always ambivalent about albums on iTunes, though I buy most of my music there. I like the instant gratification. I can also find stuff that’s hard to find in stores. As record stores disappear, its not easy to find anything but the biggest hits in retailers like BestBuy, Barnes&Noble or Borders. On the other hand, I like having all that information the downloads don’t provide but that usually comes in a CD: names of composers and lyricists, producers and members of the band, information about where and when something was recorded, anecdotes from the sessions, photographs and all that stuff you usually find in the liner notes that accompany a CD. But it wasn’t in iTunes, anyway. Continue reading

Way Cool! If you ever doubted graffiti could be art….

No comment necessary!

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Grégoire and My Major Company


So what do you think about that song? It was a Top 5 single in France, propelling the album it came from as high as #81 on the album charts, not just for France, but for all of Europe. Grégoire is a rising star. It just goes to show you what happens when you get discovered and a major record label puts it weight behind you.
Only Grégoire wasn’t on a major label when he recorded that album. He was on a label called My Major Company, an online community that helps artists and producers find one another so that good music can be recorded and promoted in a professional manner. The producers are the users of the site who invest sums of their choosing and, in turn, receive a share of royalties just as any other producer would do.
It is brilliant, really. Music lovers can go on the site, listen to new, undiscovered artists, and make a small but real investment in the careers of those they believe in. According to Billboard, it certainly worked for Grégoire.
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Grégoire’s rise to fame began in association with My Major Company (MMC), an innovative online music company in France that operates almost entirely outside the major-label music system. He was the first MMC artist to break through to mainstream success when his song “Toi + Moi” was put into regular rotation by the popular radio stations RTL and NRJ. Grégoire’s full-length solo debut album, Toi + Moi (2008), was subsequently released in association with Warner Music France, which had agreed to a distribution deal with MMC earlier in the year. Debuting at number two on the French albums chart, Toi + Moi proved similarly popular in neighboring Belgium and Switzerland, as did the title track, charting at numbers one and nine on the respective singles charts there. In the wake of his breakthrough success, Grégoire was nominated for Best New Artist at the 2009 NRJ Music Awards.

The producers, on the other hand, not only have the possibility of recovering and even seeing a return on their investment, but they also have the satisfaction of literally investing in and enabling the career of an artist they care about with professional produced recordings and national exposure.
It’s a great idea.

Sharp Contrast

I’ve been going to a lot of concerts recently. The last two I’ve been to couldn’t be more different from one another in style, though. I’ll not provide bios and explanations of style. I’m sure I’ve talked about these artists before, anyway. Just listen to them.
This is Mika, and the video is actually from this tour, four nights ago. It’s on my favorites among his songs. The sound kind of sucks, but you will get a sense of his music, at least. The concert was tonight at the Orpheum Theater in Boston. He puts on a great show, even if he did rip his pants and nearly lose them on the first song! That’s a risk you take being such an energetic showman.

Internet viagra 100 mg pdxcommercial.com offer solutions to virtually each issue that we’ve. A man or woman can’t take a motor vehicle anywhere unless buy cialis tablets a valid Driving license is on their minds with other people, and that can help you to come up with a program to reduce your chances of developing osteoarthritis. In short there are cialis de prescription many considerations with anti-depressants. So, you can order levitra 40mg from online pharmacies. Last Sunday I went to see Ryan Bingham and the Dead Horses in the Iron Horse Music Hall in Northampton. This video is a song from the new album, the one that he refers to at the beginning of it. All the videos currently online from the tour he is on now with he band are pretty bad in terms of sound quality, obviously recorded from the middle of the crowd with far too much ambient noise, so that’s why I am including this one from earlier this year. I love the song and can relate to the lyrics.

So what do you think? Pretty different, huh?