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Decency, hypocrisy, and the passing of a great woman!

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It has hardly been 24 hours the passing of Supreme Court Justice Ruth Bader Ginsburg, and already there are battles brewing over whether she should be replaced before or after the elections due to take place in in 45 days. It is disgusting!

A justice on the highest court in the land has died. Could we not have had at least a weekend of national mourning before the President tweeted about the need to move quickly to replace her, or before the Senate Majority Leader promised to bring a nominee to a vote as quickly as possible. What kind of society have we become?

By any standards, Justice Ginsburg was a remarkable woman and an influential, barrier smashing jurist. Yet the haste with which Republican leaders announced they will be going ahead with a replacement makes it seem like they have been sitting on death watch, eager for this great woman to die. It is shameful!

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Interview on the Development of Archnet

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In this interview, Shiraz Allibhai, Archnet Director, discusses the origins and development of Archnet.org. Allibhai has been involved with Archnet from the beginning in 1998. He was serving as Education Director for the Aga Khan Trust for Culture when William J. Mitchell, then Dean of MIT’s School of Architecture and Planning, suggested developing the resource when His Highness the Aga Khan expressed the need to make the work done by the Aga Khan Program for Islamic Architecture more readily available within Muslim societies.

When Archnet launched a few years later, it was a pioneering effort in several areas, incorporating both a digital library and a social network for scholars, students, and practitioners in the field.

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Some notes on the Music of Morocco recordings in Archnet

Link to the collection
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In making available on Archnet the complete recordings of Moroccan music made by Paul Bowles between 1959-1962, we decided not to do any significant editing of the recordings, aside from deleting completely quiet space at the beginning or end of each digitized file. The collection is meant to represent the archive, held by the American Folklife Center of the Library of Congress, as it is. As a result, you can sometimes hear sounds such as the banter among the artists that you occurs at the beginning of this recording made in Khenifra in October 1959.

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Rock and Roll for the Privileged Few?

Last Wednesday I was thrilled to finally get a Verified Fan code to purchase tickets for Springsteen on Broadway. I’ve been a Springsteen fan since about the 8th grade, and I was so excited about this series when it was announced, and I registered for the Verified Fan service as soon as I could. This was the third round of ticketing for the extended Broadway run, but the first time I’d gotten the coveted invitation to buy tickets. I was in the third group allowed to purchase tickets starting at noon.

I was in a meeting I couldn’t get out of that precise moment, but within 15 minutes I was online and trying to get into the site. New York is only 3.5 hours from here, and I have a huge amount of unused vacation time, so I was ready to go any day. I started with my birthday, October 17, looking for tickets for myself and a friend. There were no tickets, so I began trying other dates, especially Wednesdays and Thursdays thinking it might be easier to get tickets for those than Friday or Saturday. Continue reading

René Marie: Music for These Times

RenéŽ Marie
MotŽma Music, RubyBird Studios – Brooklyn
December 17, 2015, www.johnabbottphoto.com

My favorite artist of 2017 didn’t even release an album this year. René Marie first came to my attention in 2013 with the release of “I Wanna Be Evil,” a collection of songs originally recorded by Eartha Kitt. Later that year I saw here in Tree of Life, a production of the remarkable SPARC Live Art Series.

I was impressed, but it wasn’t until I picked up The Sound of Red, her most recent CD, released in May of 2016, that I really began to appreciate when a gigantic talent she is. Of course I digitized the CD and listened to it constantly on my iPhone, but if it had been back in the day and I owned the vinyl album, I would probably have worn out the grooves by the beginning of 2017!  I was completely unaware of the other 9 albums she had released.

Then I stumbled on a YouTube video in which she performs the most poignant version of “Oh Shenandoah” I’ve ever heard. Continue reading

Man of La Mancha: New Rep Theater

Though I go to the theater often, I’ve not reviewed any theatrical productions on this site,  but a couple weeks ago I saw the New Rep’s production of Man of La Mancha, and really want to laud the production here.  Man of La Mancha was the first musical I remember seeing performed live.  It was a production at the Virginia Museum of Fine Arts in Richmond, VA. I don’t remember very much about that performance except that it was completely enthralling. The idealistic young man I was found himself identifying in with the madman trying to change the world. I was also enamored with the idea that a writer can be a force for good in the world, simply by inspiring others.

I’ve been obsessed with the musical ever since. I was so fascinated by the story that I read the original novel by Cervantes.  But it’s really the musical I’m obsessed with. I’ve seen several productions, including the film adaptation, and I own the cast recordings of most productions that I haven’t seen.  Each version has it’s merits, but the New Rep’s production is really something special. Everything about this production works, from the effective use of the performance space and the integration of the musicians into the ensemble, to the lighting and set design. Continue reading

Christopher Paul Stelling at Thunder Road

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This gallery contains 21 photos.

What Christopher Paul Stelling can do with a guitar, including playing it behind his head, qualifies him as a virtuoso. His lyrics are thought provoking and emotionally evocative.  Jonah Tolchin, a But before adopting this solution to tablets viagra improve … Continue reading